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【2023衛武營國際音樂節】《音樂揭秘:華格納的崔斯坦效應》

節目介紹

繼2022年迴響熱烈的《音樂揭秘:展覽會之What?》後,2023年衛武營再度引進美國芝加哥交響樂團(CSO)另一套震撼力十足的製作《音樂揭秘:華格納的崔斯坦效應》,要以多媒體形式帶領聽眾深度領略華格納創舉。

 

《崔斯坦與伊索德》開始的和弦進行,被後世學者稱為調性與非調性音樂的分水嶺,它不知從何而來的身世,以及不知去往何方的效果,宛如映照出人類的潛意識。音樂會從該和弦出發,接連透過樂團片段、譜例圖像與四位演員的緊密對話,細膩挖掘全劇創作背景與情節轉折。其中,為呈現作曲家的靈感源泉,導演也特別安排次女高音演唱《威森東克之歌》選段,揭露華格納當時對威森東克夫人投注的深情。

 

《音樂揭秘》(Beyond the Score®)系列致力以戲劇、投影、燈光等多媒體,結合現場交響樂團與說書人解說,共同挖掘樂曲的創作背景與作曲家生平,無論是對剛入門者或資深行家,都是再有趣不過的聆賞體驗。

 

Following the widely acclaimed Mussorgsky: Pictures from an Exhibition: Pictures of What? in 2022, Weiwuying is once again bringing in a powerful Beyond the Score® production from the Chicago Symphony Orchestra, Wagner: The Tristan Effect, in 2023, as a profound, multimedia experience of WAGNER’s creativity.

 

The chord progression at the beginning of Tristan und Isolde was deemed by experts of later times the line of demarcation between tonal and atonal music. Its sense of unknown origin and unknown destination is a reflection of the human subconscious. Beginning with the chord progression, and then, by means of an intimate conversation among orchestral excerpts, images of sheet music, and the four actors, the creative background and plot twist are exquisitely revealed. To exhibit WAGNER’s source of inspiration, the soprano will sing excerpts from WESENDONCK-Lieder, which is clearly a declaration of WAGNER’s affection for Madame WESENDONCK.

 

The Beyond the Score® series is a combination of theater, projection, and lighting that brings together orchestral music and storytelling in looking at the backgrounds of pieces of music and their composers. Whether an aficionado or new to music, you are sure to find it highly enjoyable.

 

 

Beyond the Score® is a production of the Chicago Symphony Orchestra

Gerard McBurney, Creative Director for Beyond the Score®

Beyond the Score® 由芝加哥交響樂團製作

創意總監:傑拉德‧麥博尼

 

 

演出人員名單

指揮|楊智欽

樂團|高雄市交響樂團

 

Conductor|YANG Chih-chin

Orchestra|Kaohsiung Symphony Orchestra

 

藝術家介紹

指揮|楊智欽

「他對樂團展現高度的掌控能力,指揮技術精準,內斂且富於表情⋯⋯」──聲樂家月刊

 

現任高雄市交響樂團指揮。畢業於俄羅斯國立葛涅辛音樂學院。

音樂風格細膩,流暢優美,嚴謹的工作態度與對樂譜的忠實解讀,使其演出均獲愛樂者熱烈迴響。其演出類型廣泛,除經典管絃曲目外,對於跨界、歌劇、芭蕾製作及演出經歷也極為豐富,包含高雄春天藝術節草地音樂會、大型自製節目與全本歌劇製作等。

敏銳的音樂性及靈活的樂團掌握能力,讓他跟國內外優秀獨奏家與樂團的合作,激盪出精彩火花,包括:小提琴家列賓、諏訪內晶子、鋼琴家波哥雷里奇、俄羅斯史維特蘭諾夫交響樂團、德國符騰堡愛樂交響樂團、日本金澤管絃樂團等。2017年率高雄市交響樂團赴日本金澤「貝多芬音樂節」演出,更獲聽眾及樂評一致讚賞。

 

高雄市交響樂團

1981年成立。2009年與高雄市國樂團整併為「財團法人高雄市愛樂文化藝術基金會」,時任高雄市文化局史哲局長出任董事長。2010年,朱宏昌先生出任執行長。2011年,楊智欽先生出任駐團指揮。現任董事長為高雄市文化局長王文翠。

樂團以高雄代表自許,曾與卡列拉斯、海莉、布赫賓德、列賓、明玆、麥斯基、諏訪內晶子等大師合作,厚植樂團演奏實力及建立品牌。除堅守古典演奏形式,也積極走出廳堂,結合不同場域、型態的表演藝術擁抱大眾;尤以參與高雄春天藝術節系列草地音樂會、名家音樂會、寶寶音樂會及全本歌劇製作演出要角。2018年更獲邀參與臺灣最大表演藝術中心──衛武營國家藝術文化中心啟用及開幕系列多場節目,精湛演出受國內樂壇及樂迷一致肯定。

先後獲邀至美國、澳門、南京、上海、青島、蘇州、新加坡、北京、日本及香港演出,跨越城市與國界,逐步以國際性樂團為目標,堅定向前。

 

Conductor|YANG Chih-chin

Principal Conductor of Kaohsiung Symphony Orchestra (KSO), YANG Chih-chin is a renowned conductor in his generation in Taiwan. Born in 1969, he graduated from The Russian Academy of Gnesin, Moscow, Russia, and studied with Miroslav RUSIN, Filex CHEN Chiu-sheng, András LIGETI, Gunther HERBIG, Michael JUROWSKI. Before joining KSO, YANG served as the Assistant Conductor of Taipei Symphony Orchestra, the Conductor of Opera Studio of National Chiang Kai-Shek Cultural Center, Taiwan.

 

YANG obtains very great success in performance from the public by his passion of music, rich orchestral color control capabilities, excellent rhythm, and faithful interpretation of the score.

 

YANG has performed with many excellent soloists including Vadim REPIN, Ivo POGORELICH, Andrei GAVRILOV, Sergei NAKARIAKOV, Akiko SUWANAI, Valentina LISITSA, Konstantin LIFSCHITZ, Gavriel LIPKIND, Alban GERHARDT, YANG Wen-sinn, Ilya GRINGOLTS, Alexei VOLODIN, Tsuyoshi TSUTSUMI, LIN Cho-liang, HU Nai-yuan, and LIU Meng-chieh.

 

YANG has worked with and conducted Svetlanov Symphony Orchestra of Russia, Voronezh Philharmonic Orchestra, Württemberg Philharmonic Reutlingen, Bulgarian State Opera Burgas, Filarmonica Brasov, Orchestra Ensemble Kanazawa of Japan, Taipei Symphony Orchestra, National Taiwan Symphony Orchestra and Nanjing Jiangsu Symphony. Highlights in recent season, 2017, YANG was invited to Kanazawa Japan with KSO, performing in Spring Green Music Festival where they were highly acclaimed by critics and reviews.

 

Kaohsiung Symphony Orchestra

 

Wherever there is music, there is you.

A young orchestra which marches on steadily

 

It is an asset for a city to have an orchestra of its own. Young and energetic, the Kaohsiung Symphony

Orchestra (KSO) invites world-class conductors and masters for collaboration and challenges itself by staging performances of diversified styles. The development of the orchestra focuses on both classical and crossover genres; it has not only created increasingly more high quality musical miscellanies for music enthusiasts but also planted numerous seeds for music appreciation and performance, contributing to the innovation of classical music.

The Kaohsiung Symphony Orchestra was founded in 1981. It was merged with the Kaohsiung Chinese Orchestra in 2009 as "Kaohsiung Philharmonic Culture and Arts Foundation." Since 2009, the KSO has made considerable contributions in the Kaohsiung Spring Arts Festival, successfully promoting its grassland concerts. In the last decade, the KSO has collaborated with renowned local and international artists and music groups and staged numerous concert series. The KSO has been invited to perform on international stages regularly. Reaching beyond city and country borders, the KSO advances steadily with the self-development goal of becoming an internationally acclaimed orchestra.

 

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